On Saturday June 18, 2022, Capital One City Parks Foundation SummerStage and Sounds Australia will present THE AUSSIE BBQ for the first time in three years to showcase a new class of undeniable Australian talent, in association with the Australian Consul-General, New York and the Department of Foreign Affairs and Trade.

Since 2020, lockdowns and travel restrictions have kept American audiences particularly deprived of live music from Australian performers. Now finally back and able to export a line up showcasing the breadth, diversity, and history of Australian music, attendees will see sets from Baker Boy, Electric Fields, G Flip, Haiku Hands, Peking Duk and You Am I.

For more than ten years, Sounds Australia has provided an integral platform for introducing the international music industry to the best new Aussie music. THE AUSSIE BBQ SummerStage made its debut in 2019 and saw almost 5000 New Yorkers turn up to see A.B. Original, Hermitude, The Teskey Brothers, Tkay Maidza, San Cisco and WAAX perform. 

Of this year’s much-anticipated upcoming event, Erika Elliott, the Executive Artistic Director at SummerStage, says, “We are thrilled to have THE AUSSIE BBQ return to SummerStage this year. International artists are a key aspect of our festival, as we seek to offer the best music from around the world to New Yorkers each summer. Our partnership has allowed us to give platform to a crop of diverse and exciting talent from Australia that we expect people to be able to say they saw here first!”

Australian Consul-General in New York, Nick Greiner, says: “The Australian Consulate General in New York is proud to be supporting THE AUSSIE BBQ this year at SummerStage in Central Park. We are thrilled that the Australian community in New York is coming back together to see performances by this diverse selection of outstanding Australian artists.”

For more information, head to THE AUSSIE BBQ SummerStage 2022 page.


Sounds Australia, AIR and the PPCA are now seeking expressions of interest from Australian independent labels to take part in an Australian delegation to attend Indie Week 2022 in New York City, an independent label focused conference hosted by A2IM (American Association of Independent Music) from June 13-16 2022 at New York Law School.

A2IM Indie Week is a four-day international conference and networking event aimed at maximizing the global impact of Independent music. Featuring keynotes, panels, exclusive networking sessions, and more, A2IM Indie Week has historically drawn an attendance of over 1200 participants from over 30 countries. Build your network and join the conversation.

Indie Week is a member-only conference for record labels and service providers with a strong focus on the exploitation of master recordings, licensing, networking and digital. AIR & Sounds Australia have led Australian delegations to Indie Week since 2013 and we have again been extended an invitation to lead an Australian delegation to Indie Week in 2022.

Sounds Australia will be covering registration costs – valued at $579.99 USD.

Due to limited capacity, we ask all interested parties to show an expression of interest by filling out this survey BY WEDNESDAY 20TH APRIL 2022 – it shouldn’t take more than 5 minutes to complete.

CLICK HERE TO COMPLETE SURVEY


For consideration when applying:

  • Indie Week 2022 will be held in New York City from Monday 13th to Thursday 16th June 2022.
  • Sounds Australia will be presenting THE AUSSIE BBQ showcase in New York on Saturday 18th June 2022, 4pm – 10pm. All Australian Indie Week delegates will be invited as a VIP guest to THE AUSSIE BBQ, that will also include an exclusive network luncheon with key New York music industry before the showcase performance.
  • Australian attendees are responsible for booking and funding all flights, transfers, insurance and accommodation themselves.
  • To apply a label must be a member of AIR.
  • Per the A2IM Indie Week venue’s rules and regulations, all attendees must be fully vaccinated against COVID-19, including a booster dose, and are required to wear a mask in the venue. Attendees who are not vaccinated for medical, religious, or other reasons will be required to submit proof of a negative PCR or lab-based antigen COVID test, conducted within three (3) days prior to attending. Proof of vaccination and a temperature check will be required upon entry. If you have any questions regarding COVID regulations, please reach out to info@a2im.org.
  • Due to limited capacity and the small number of invitations, all attending Australian labels must have a catalogue of at least five albums and represent the music of at least three artists. It is expected that they are digitally pro-active and are doing business internationally. For more information please contact Maria Amato at AIR – maria@air.org.au

The second round of Sounds Australia’s Export Stimulus (SAES) package has been awarded to more of Australia’s local music industry made up of artists, producers, songwriters, composers, managers, publishers and crew. The funds will support wide-ranging international activity including touring, songwriting, producing, industry meetings and tour/technical support.

32 Applicants were awarded AU $434,878.35.

“After such a brutal 2+ years of rescheduled tours, show cancellations, lockdowns and border closures, it feels unbelievable that we are able to actually tour internationally. This funding gives us support in what is really a super fragile economic arrangement for us. We’re playing some of the biggest shows of our careers, nominated for Grammys, yet it could all fall over at any second with no Covid insurance policies out there! We depend on groups like Sounds Australia to have our backs and am grateful for the support they have granted us.” – Si Jay Gould, Wondercore Island (Manager, Hiatus Kiayote).

The SAES program has been explicitly designed to assist established artists and industry professionals in re-entering the international music market, playing a significant role in presenting Australia as a nation of sought-after talent, reigniting foreign trade networks and triggering much-needed income for these important Australian music businesses.

The targeted funding aims to specifically counter the increased costs associated with exporting in a time of COVID-19, including increased insurance premiums, COVID-19 compliance consumables and expediting visas.

“Once again, we have been overwhelmed with the amount of international activity scheduled for Australians in the coming months – a time when the competition for opportunities, performance dates and venues has never been fiercer. It’s imperative that after a 2-year absence our top talent is able to re-engage audiences by returning to international studios and stages.” – Millie Millgate, Executive Producer, Sounds Australia.

Round 2 of the Sounds Australia Export Stimulus Grant has been made possible with the support of the Australian Government, APRA AMCOS, ARIA, PPCA, the Australia Council for the Arts, and Creative Victoria. 

Minister for Communications, Urban Infrastructure, Cites and the Arts, the Hon Paul Fletcher MP, said the package, under the first two rounds, has supported 224 Australian music industry professionals to return to international touring and business, and maximise the opportunities this brings. 

“The Morrison Government is proud to be supporting the Sounds Australia Export Stimulus program to get our talented artists, crew and music professionals back on the global stage to reaffirm our position in the international music market, and to bolster foreign trade and income for broader Australian music businesses,” Minister Fletcher said.

The extremely high quality and increased quantity of submissions was again judged by an external panel of experienced assessors made up of Cameron Adams, Leanne de Souza, Paul Mason, Sam Cook and Sosefina Fuamoli.

Round 3 for the SAES Grants will open on Monday 13th June 2022 for activity taking place internationally from 1st August 2022.

SUCCESSFUL APPLICANTS FOR SAES ROUND 2 can be found HERE  

Sounds Australia is excited to announce its first physical international showcase in more than two years, taking place at SXSW in Austin, Texas next week.

10 Australian acts will showcase to international music industry from 12pm on Wednesday March 16 at Australia House, 77 Rainey St Austin:

Alex the Astronaut
Eliza Hull
Grace Cummings
Jack Gray
Jo Schornikow
Little Quirks
MANE
Phebe Starr
Tom West
Wanderers

Like in both 2018 and 2019, Lucille Patio Lounge on Rainey St in downtown Austin will be rebranded as Australia House, an all-encompassing Australian experience presented by the American Australian Association and G’Day USA.

Australia House will feature technology showcases, music performances, keynote speakers and interactive displays by some of Australia’s leading experts in the film, music, thought and innovation sectors.

On Tuesday March 1 at 10am AEDT, Sounds Australia will present the next virtual panel in our Sounds Sessions series of global conversations. The Economics of Export will address the hard truths (and forgotten costs) associated with getting back on international stages.

Whether you’re returning to touring for the first time since the COVID-19 pandemic began, or you’re about to embark on your debut international tour, this is the panel for you.

The Economics of Export will be moderated by Sounds Australia’s Dom Alessio and feature the following panellists:

Sophie Kirov (Director, Lost Motel)
Mike Landers (Partner, White Sky Accounting)
Leigh Treweek (Handshake Management – Alex Lahey, Bakers Eddy, Vacations)

It’s free to attend, but registration is essential. You can do so via this Eventbrite link: https://www.eventbrite.com.au/e/sounds-sessions-the-economics-of-export-tickets-266442736397

If you have any questions or topics about international touring that you would like to see covered in this session, please email your suggestions to Dom Alessio at dalessio@soundsaustralia.com.au.

Today, Sounds Australia has opened applications for Round 2 of the Sounds Australia Export Stimulus (SAES) program. The funding package was established in 2021 to bolster Australia’s music export activity and support the industry as they return to global stages. The targeted support assists established Australian artists, crew and music professionals to realise significant career milestone opportunities, earn much needed income after 18 months of cancelled work, and support Australia’s quest to become a net exporting music nation.

The first round of the SAES package was awarded to a diverse cross section of local music industry made up of artists, producers, songwriters, composers, managers and crew. In total, 31 applicants were awarded AU $408,936.28. The full list of recipients can be found here.

“The support from the SAES program has been so impactful for us. This funding has been a huge help in reconnecting us with our beloved US fanbase, especially after the incredibly challenging last couple of years. With this help, we’ll be back on stage, sharing light, love and music with our American friends soon.” – The Avalanches

The competitive grants will be judged by an external panel of highly experienced assessors, with priority given to activity undertaken by established talent re-entering the international music market. Funding will be awarded to support increased expenses across five distinct areas. These include:

  • Visas (petition application and associated legal fees)
  • Freight and Carnets
  • Pre-Tour Rehearsals (venue, wages, backline)
  • Artist Managers to travel with their acts overseas
  • Insurance and other COVID increased premiums
  • COVID compliant consumables

The program was first announced in June 2021 at AIR Indie Con, with the support of Sounds Australia’s lead funding partners. APRA AMCOS, ARIA, PPCA, the Australia Council for the Arts and the Office for the Arts agreed to redirect Sounds Australia’s 2020 and forecast 2021 retained surplus toward the SAES Program. Furthermore, the Minister for the Arts, The Hon. Paul Fletcher, committed additional funding which brought the combined total of the Export Stimulus Package to $1.2 million, to be distributed over the three rounds.

Successful applicants will play a significant role in presenting Australia as an incomparable nation of sought-after artists and skilled music industry professionals, and reignite foreign trade and income for broader Australian music businesses.

Round 2 is now open, with applications closing on Friday February 4 at 11:59pm AEST. Head to the SAES website to apply, as well as read the guidelines, criteria, and terms and conditions.

With restrictions beginning to ease, borders starting to open, and more Australians looking to tour internationally, what can we learn from those who have already started travelling abroad?

On Wednesday December 8 at 9am AEDT, Sounds Australia in partnership with the Association of Artist Managers will present Touring the UK & Europe In A Pandemic. Moderated by Sounds Australia’s Dom Alessio, this virtual panel will feature speakers who’ve worked on 2021 UK & Europe tours for Amyl & The Sniffers, The Chemical Brothers and Passenger, as well as events such as Americanafest UK.

You’ll hear what it takes to put on a COVID safe and compliant tour, what it’s like being in the UK and Europe right now, and what you need to consider to start preparing for your own activity.

The panel will feature:
Ben Madden (Stage Manager, The Chemical Brothers)
Dan Medland (Artist Manager, Passenger)
Renae Brown (Festivals & Event Manager, Arby Projects)
Simone Ubaldi (Artist Manager, Amyl & The Sniffers)

It’s free to attend but registration is essential. You can do that via Eventbrite:
https://www.eventbrite.com.au/e/sounds-sessions-touring-the-uk-and-europe-in-a-pandemic-tickets-212220937537

This session is also part of the AAM’s Right Here Right Now virtual management week program (December 6 – 10).

The Folk Alliance International Conference, presented by Folk Alliance International, is the world’s largest gathering of the folk music industry and community (crossing a diverse array of genres including Appalachian, Americana, Blues, Bluegrass, Celtic, Cajun, Global Roots, Hip-Hop, Old-Time, Singer-Songwriter, Spoken Word, Traditional, Zydeco, and various fusions).

The 2022 Folk Alliance International Conference will be a hybrid event, with the virtual component taking place online from February 15-17.

As part of Sounds Australia’s commitment to Folk Alliance International, we will be hosting CLOSE UP, a two-hour virtual spotlight showcase featuring pre-recorded live performances from 12 Australian artists looking to connect with, and perform in front of, the international folk music industry, and further their export careers.

If you would like to apply for one of the limited Sounds Australia showcasing spots, please complete the following application and submit it by 5pm AEDT Wednesday 8 December 2021.

CLOSE UP APPLICATION FORM:
https://www.surveymonkey.com/r/BTN3Z8G

Please note that priority will be given to artists from Aboriginal and/or Torres Strait Islander, culturally and linguistically diverse backgrounds. 

If selected, you will need to provide all necessary publishing and label clearances for use of the song/s you wish to perform for the virtual showcase.

If you have any questions regarding the application or Folk Alliance International, please don’t hesitate to get in touch on info@soundsaustralia.com.au.

Each month Sounds Australia invites an Australian, or group of Australians, to curate a playlist for our I Picked This series. In November, we’re thrilled to have ARCA (the Australian Road Crew Association) create a playlist of live songs selected from their Desk Tape Series.

The ARCA Desk Tape Series, distributed through Black Box Records, is an initiative dedicated to the welfare of live production roadies and crew in Australia. Roadies have amassed a treasure trove of live recordings spanning more than 40 years and made ARCA their custodian. From international stars to iconic cult heroes, these tapes document the cultural significance of the Australian live music scene and serve as important historical records, requiring a release to ensure they may never be lost. 

The series was created to raise much needed funds for roadies and crew in crisis, with money from the sales and streams of these recordings providing financial, health and mental health services, as well as counselling to those who are the backbone of Australia’s live music sector.

20 live albums have so far been released via the ARCA Desk Tape Series. You can purchase the albums from the ARCA website.

You can listen loudly to ARCA’s I Picked This playlist on Apple Music, Deezer , Spotify and YouTube – and hear all the albums at the ARCA website via Black Box Records.

TRACKLIST:

The Models (Live at the Overlander Hotel 1980):
Whisper Through The Wall
The Other People Incident

Australian Crawl (Live at Billboard 1981):
Things Don’t Seem
Boys Light Up

Men At Work (Live in Christchurch 1982):
Down Under
It’s a Mistake

Crowded House (Live 92-94, Pt. 1):
Distant Sun
Don’t Dream It’s Over

Crowded House (Live 92-94, Pt. 2):
World Where You Live
When You Come

Doug Parkinson and the Southern Star Band (Live at Gobbles, Perth, 1979):
I’ll Be Around
Same Feeling Different Song

Wendy Matthews (Live at Bunnamah Estate ’94):
I Don’t Wanna Be With Nobody But You
Token Angels

Goanna (Live at The Canberra Workers Club, 1985):
Razor’s Edge
Solid Rock, Sacred Ground

Neil Finn (Solo at the Seymour Centre, 2010):
Message To My Girl
Something So Strong

Albert Lee & Vince Gill (Live at the Prince of Wales Hotel 1988):
Colder Than Winter
Tiger Rag

Dutch Tilders (Live at The Commune 1973):
That’s Alright Momma
Two Bob Head Blues

Redgum (Live in Melkweg, Amsterdam 1985):
I Was Only 19
I’ve Been To Bali Too

Jo Jo Zep and the Falcons (Live at San Remo NYE 1976):
Dancin’ Shoes
The Honeydripper

Russell Morris and the Rubes (Live at the Palladium 1982):
Wings Of An Eagle
Hush

TISM (Live at the Corner Hotel 30 May 1988):
Mistah Eliot – He Wanker
Get Thee in my Behind, Satan

Captain Matchbox Whoopee Band (Live at Ormond Hall 2011):
My Canary Has Circles Under its Eyes
Your Feet’s Too Big

Jimmy and the Boys (Live at the Astra Hotel 1982):
In Hell With Your Mother
Chattanooga Choo Choo

Dave Tice and the Headhunters (Live at Yella Rock 1991):
Baby Please Don’t Go
Don’t Worry Baby, It’s Gonna Be Alright

The Party Boys (Live at the Tivoli Sydney 1987):
Hold Your Head Up
Roadhouse Blues

Ted Mulry Gang (Live at the Fairfield Hotel 1982):
Jump In My Car
Honky Tonk Women

Since May, Sounds Australia has been working with Australian artists and industry to secure travel exemptions so they can restart their export careers.⁣
With lockdowns beginning to ease, borders starting to open, and more Australians looking to tour internationally, what can we learn from those who have already started?⁣
Our next Sounds Sessions panel, Touring America In A Pandemic, will take place virtually at 9am AEDT on Tuesday October 26. Moderated by Sounds Australia’s Dom Alessio, it will feature speakers who’ve worked on 2021 US tours for Tame Impala, Middle Kids, Courtney Barnett and Cloud Nothings.
You’ll hear what it takes to put on a COVID safe and compliant tour, what it’s like being in America right now, and what you need to consider to start preparing for your own US activity.⁣
The panel will feature:⁣
Alice Fraser (Production Coordinator, Tame Impala) ⁣
Jacob Snell (Manager, Monster Artist Management)⁣
Katie Besgrove (Manager, Look Out Kid)⁣
Pati Villegas (Covid Compliance Officer)
It’s free, but registration is essential: