Michael Grebla

I am a concert music composer focusing on chamber music whose work is strongly narrative-driven and aligned with contemporary screen aesthetics. My goal is to expand the reach of my existing catalogue through film, sync licensing, and games, while building sustainable relationships and workflows within the screen and music-supervisor ecosystem.

My work sits at the intersection of contemporary classical and narrative-driven screen music, with a strong emphasis on emotional clarity, restraint, and textural depth — qualities currently in high demand across film, documentary, prestige television, and premium branded content in the US market.

I have been commissioned by the Australian Government to compose Unbreakable, a major work created for the opening of the new Australian Embassy in Washington, DC. The piece has been performed multiple times in the US and is being used across ongoing diplomatic, branding, and cultural programming tied to America 250, demonstrating both institutional confidence in my work and its adaptability beyond the concert hall.

My catalogue has already been applied in screen-adjacent and branded contexts, including short film (The Statue, Elina Street Productions) and luxury fragrance campaigns for Robertet (France). These projects demonstrate the suitability of my music for narrative, atmospheric, and brand-aligned usage, particularly where emotional nuance and sophistication are required.

In parallel, my concert works are actively touring and being recorded in the US and Australia (including current releases with ABC Classic), and are frequently described as cinematic in language and scope. Many works are immediately suitable for sync licensing, with instrumental versions and stems available.

Collectively, this positions my catalogue well for supervisors and producers seeking distinctive, emotionally resonant music that bridges contemporary classical craft with screen-ready aesthetics.